“…[Gaffigan’s] opulent sound embodiment worked amazing well with Dresen’s dusty grey coal mine setting. Together they created a way to make Puccini’s seldom performed opera believable from start to finish and awakened a hope that we could be both hearing and seeing a return of La fanciulla del West more often at the Bayerischen Staatsoper.
James Gaffigan led the Bayerische Staatsorchester in a strikingly cinematic way, accompanying every transition with luscious colors creating an, one must almost say, orgasm of sound.”
-BachTrack, translated from German, full review here.
“Gaffigan led the Bayerische Staatsorchester in a strikingly cinematic way, accompanying every transition with luscious colors creating an, one must almost say, orgasm of sound.”
-BachTrack
NEXT ON CALENDAR
23nov7:00 pmLE NOZZE DI FIGAROKOMISCHE OPER BERLIN
Event Details
The mother of all musical comedies is coming to the Schiller Theatre! After Così fan tutte, Kirill Serebrennikov is now bringing us his second Mozart production on the stage of
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By the way
After Così fan tutte and The Marriage of Figaro, Don Giovanni will follow in 2025, thus completing Serebrennikov’s staging of Mozart’s Da Ponte trilogy.
Time
(Saturday) 7:00 pm
Location
Schillertheater – Großer Saal
Bismarckstraße 110 10625 Berlin
24nov6:00 pmSWEENEY TODDKOMISCHE OPER BERLIN
Event Details
With this grand musical on the stage of the Schiller Theatre, director Barrie Kosky reveals himself to be a master of the macabre. An equally dark and delightfully chilling
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The story of the ‘demonic barber of Fleet Street’ who became a mass murderer first appeared in 1846 as a penny dreadful entitled The String of Pearls, and has since served as the basis for numerous dramatic and cinematic adaptations. In composing this thriller musical, Sondheim drew inspiration from film soundtracks as well as Richard Wagner’s use of leitmotif. Barrie Kosky stages his vision of this classic musical as a ‘children’s theatre nightmare collage’, revelling in that lust for horror, wavering between disgust and laughter, that has always fascinated audiences.
He mercilessly digs into the question of what humans are capable of when they follow the logic of revenge to the bitter end, and what’s at stake in the process.
BY THE WAY
Cannibalism has featured in myths and fairy tales since antiquity: Chronos eats his children, Titus Andronicus bakes his dead enemies into pies, and the wicked witch intends to eat Hansel for dinner.
Time
(Sunday) 6:00 pm
Location
Schillertheater – Großer Saal
Bismarckstraße 110 10625 Berlin
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This could be the most shocking and thought-provoking Figaro you will ever see. I’m happy to be bringing this back on stage, this time with a slightly different cast which will continue to change throughout the run! @Komische_Oper
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Next Post‘’James Gaffigan allows the wonderfully tempered orchestra to run, jump and hop and only puts the brakes on their high-spirit in the last possible second, thus providing the necessary emotional urgency to drive this frenzied drama forward in a sparkling and vital fashion.’’
-Süddeutsche Zeitung